Caxton's Trace

"Caxton's Trace is an ambitious collection of essays whose contributions extend well beyond their late fifteenth-century focus. This volume is particularly impressive for its integrity: the chapters cohere to a remarkable degree, creating sustained interventions in our ongoing study of printing, of technology and culture, of early capitalism, and of English nationalism."—Journal of British Studies

“This is a collection of essays diverse in subject. . . . At the center is a group of historical and political essays, and outside these are essays on a wide range of topics: jobbing, composite volumes, nineteenth-century Caxton scholarship, the linguistic implications of early English printing. The essays are generally sound. . . this is clearly not a book about material books; it is rather a book about the ideas of books, with its announced subject, early English printing, functioning largely as support for predetermined and familiar conclusions.” —Speculum

“These ten essays ambitiously cover a circuit of human production and consumption from early English printers to readers; from merchants to kings; and from literature to commerce and politics. Somewhat surprised by the commercial nature of books, they bring the literary community's analytical methods to material evidence.” —SHARP News (Society for the History of Authorship, Reading and Publishing)

“This collection of ten essays, each by a different scholar, seeks to reappraise Caxton’s achievement and influence chiefly on later fifteenth- and sixteenth-century English printing . . . . David Carlson has good things to say about Caxton’s jobbing printing. A. E. B Coldiron looks closely and well at the various early modern printings of Christine de Pisan’s Proverbs. And Tim Machan gives an excellent overview of the printing of medieval English texts in the first half of the sixteenth century.” —Times Literary Supplement

"Caxton’s Trace is an excellent collection that takes up an important and understudied moment in the development of vernacular literature." —Ethan Knapp, Ohio State University

"This is a significant contribution to the history of the book. It examines the reified idea of the separation between the medieval and early modern period in a sophisticated and illuminating way. The essays engage the problematics of periodization while also interrogating the twin notions that print somehow mystically transformed the Middle Ages into modernity and that the fifteenth century is merely transitional, and, thus, unconnected with modernity." —Thomas Prendergast, The College of Wooster