“By considering Dante primarily in the context of the larger manuscript culture of his time, Steinberg delves deep into the past in order to say something entirely new about Dante and his self-conscious desire to reshape poetic tradition. Such an approach, relying on cutting-edge methods of philology, codicology, and paleography, reveals the degree to which the prevailing manuscript tradition conditioned Dante's views of fellow poets, and indeed of his own work . . . Recommended.” —Choice
“Steinberg analyzes archival documents such as the Memoriali bolognesi and the register-book Vaticano Latino 3793 for evidence of how these merchants and notaries gathered and copied anthologies for personal reading, building rich historical, political and social contexts for the poetical debates of Dante's day and Dante's interpretations of how his reading public responded.” —Research Book News
“It is clear from the first pages that Justin Steinberg’s book is innovative and groundbreaking. Returning the rightful importance to the cultural circumstances and social context surrounding some of Dante’s most important declarations of poetics, this critical analysis provides new and convincing answers to highly debated issues. It effectively accounts for Dante’s repeated attempts at directing his readership, not only using well-known self-referential speech acts, but especially through careful manipulation of the instruments and techniques of book production and circulation.” —Renaissance Quarterly
“This volume offers a scholarly feast. It aims ‘to trace a history of duecento lyric poetry that takes into account the localized and socially stratified centers of textual production active in late medieval Italy.’ In fact, it focuses on poetry written in Emilia and Tuscany in the second half of the thirteenth century . . . This book is essential reading for all students of Dante.” —Speculum
“Justin Steinberg's unusually keen capacity to draw upon historical, paleographical, and sociological realms of literary inquiry introduces to Anglophone audiences these approaches that tend to be more common in scholarship by Italian critics. But it is his readings of lesser-known poets (particularly Monte Andrea and Chiaro Davanzati) that are particularly illuminating and his suggestions concerning the class-conscious motivations behind poetic canon formation that are most suggestive. . . . Steinberg's scholarship effectively bridges some of the widest gaps between European and American sensibilities in literary analysis.” —The Sixteenth Century Journal
“In his fascinating new book, Accounting for Dante, Justin Steinberg performs a veritable tour de force by bringing poetic and banking practices in late medieval Italy under the microscope for the first time.” —Christianity and Literature
"Justin Steinberg's excellent new book expands the field of Dante studies with a close examination of Due and Trecento lyric culture, its material expression in manuscript form, and its historic readerships. As such, it is a very welcome contribution not only to Dante studies but also to the interface between book history and early literary studies. Stripping away the accretion of centuries of literary historiography, he re-presents Dante within his historical publishing context, showing how Dante responds to and attempts to direct the way in which his works circulated and were transmitted in the wider public sphere. . . . Steinberg's book, like the best studies, remakes the critical landscape in its wake, and should become essential reading for all concerned with textual production in medieval Italy." —Italian Studies
"A rich and refreshingly innovative study of manuscript culture that sets Dante firmly within a material context. This is an adroitly layered book, with literary criticism and theory set over a solid base of physical examination of the material text. It brings manuscript studies, and, with it, associated political and social contexts, back to a central place in literary criticism.” —Medium Aevum
