Performance and Religion in Early Modern England
Stage, Cathedral, Wagon, Street
398 pages, 6.00 x 9.00
Hardcover | 9780268104658 | December 2018
eBook (PDF) | 9780268104672 | December 2018
Paperback | 9780268104665 | December 2018
eBook (EPUB) | 9780268104689 | December 2018
In Performance and Religion in Early Modern England, Matthew J. Smith seeks to expand our view of “the theatrical.” By revealing the creative and phenomenal ways that performances reshaped religious material in early modern England, he offers a more inclusive and integrative view of performance culture.
Smith argues that early modern theatrical and religious practices are better understood through a comparative study of multiple performance types: not only commercial plays but also ballads, jigs, sermons, pageants, ceremonies, and festivals. Our definition of performance culture is augmented by the ways these events looked, sounded, felt, and even tasted to their audiences. This expanded view illustrates how the post-Reformation period utilized new capabilities brought about by religious change and continuity alike. Smith posits that theatrical practice at this time was acutely aware of its power not just to imitate but to work performatively, and to create spaces where audiences could both imaginatively comprehend and immediately enact their social, festive, ethical, and religious overtures.
Each chapter in the book builds on the previous ones to form a cumulative overview of early modern performance culture. This book is unique in bringing this variety of performance types, their archives, venues, and audiences together at the crossroads of religion and theater in early modern England. Scholars, graduate and undergraduate students, and those generally interested in the Renaissance will enjoy this book.
Matthew J. Smith is assistant professor of English at Azusa Pacific University.
"This is the only book I know that pays such careful attention to the specific performance conditions of so many modes and the inter-theatrical relationships among them. Matthew Smith has gathered a diverse set of performance materials into a project of real magnitude, coherence, and consequence. Every chapter of Smith's book delivers new insights, judicious reframings, and dazzlingly original connections that bring together familiar and unfamiliar texts. This is the kind of book that could well win acclaim for its originality, learning, ambition, and argumentative contribution." ~Julia Reinhard Lupton, University of California, Irvine