Edited by E. Jane Burns and Peggy McCracken
The Middle Ages provides a particularly rich trove of hybrid creatures, semi-human beings, and composite bodies: we need only consider manuscript pages and stone capitals in Romanesque churches to picture the myriad figures incorporating both human and animal elements that allow movement between, and even confusion of, components of each realm.
From Beasts to Souls: Gender and Embodiment in Medieval Europe raises the issues of species and gender in tandem, asking readers to consider more fully what happens to gender in medieval representations of nonhuman embodiment. The contributors reflect on the gender of stones and the soul, of worms and dragons, showing that medieval cultural artifacts, whether literary, historical, or visual, do not limit questions of gender to predictable forms of human or semi-human embodiment. By expanding what counts as “the body” in medieval cultural studies, the essays shift our understanding of gendered embodiment and articulate new perspectives on its range, functions, and effects on a broader theoretical spectrum. Drawing on depictions of differently bodied creatures in the Middle Ages, they dislodge and reconfigure long-standing views of the body as always human and the human body as merely male and female.
The essays address a number of cultural contexts and academic disciplines: from French and English literature to objects of Germanic and Netherlandish material culture, from theological debates to literary concerns with the soul. They engage with issues of gender and embodiment located in stones, skeletons, and snake tails, swan-knights, and werewolves, along with a host of other unexpected places in a thought-provoking addition to somatic cultural history.
Contributors: Matilda Tomaryn Bruckner, E. Jane Burns, Jeffrey J. Cohen, Dyan Elliott, Noah D. Guynn, Peggy McCracken, Ann Marie Rasmussen, and Elizabeth Robertson.
“From Beasts to Souls: Gender and Embodiment in Medieval Europe is a cogent, well-conceived addition to the dynamic field of cultural studies of the body. The essays are extremely strong, with contributions that are both insightful and provocative." — Suzanne Conklin Akbari, University of Toronto
“This timely collection of essays deals with questions preoccupying many scholars, not only medievalists, about the directions that are being taken by posthumanism and their impact on those earlier outcomes of deconstruction, feminism, and queer theory. There are many fine scholars represented in this volume, and the quality of the chapters is excellent.” — Sarah Kay, New York University
“The anthology’s contributors are an elite group of illuminati, educated and employed at the best schools and representing a particular wisdom of the present age ‘to dislodge and reconfigure the long-standing constraints imposed by an understanding of the body as always human and of the human body as merely male and female.’” — Choice
“This fascinating, timely book brings together eight essays by medievalist scholars on a wide range of medieval texts, artifacts, and images depicting strange bodies which trouble categories of both species and gender. From werewolves to copulating gemstones, from a corpse addressing the worms who devour it to animals who suckle human infants: the bodies that are scrutinized in these pages are a testament to the way in which medieval figures and stories can question and subvert ideas of convention and category.” — French Studies
“. . . What happens to women and gender studies when theoretical attention moves away from the human? The authors of the essays have all published significant works related to women, gender and sexuality within the field of medieval studies. From Beasts to Souls reflects their interest in and concern about the recent development of posthumanism and animal studies.” — H-France Review
“From Beasts to Souls takes up . . . questions about what happens to gender and sex in post- or nonhuman forms. The collection is theoretically savvy, both in its interactions with recent work in posthumanism, object-oriented ontology, and animal studies and in its use of theory to enable innovative readings of verbal and visual texts.” — Renaissance Quarterly