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Interpreting Dante

Interpreting Dante

Essays on the Traditions of Dante Commentary

Edited by Paola Nasti and Claudia Rossignoli

In Interpreting Dante: Essays on the Traditions of Dante Commentary, Paola Nasti and Claudia Rossignoli gather essays by prominent scholars of the Dante commentary tradition to discuss the significance of this tradition for the study of the Comedy, its broad impact on the history of ideas, and its contribution to the development of literary criticism.

Interest in the Dante commentary tradition has grown considerably in recent years, but projects on this subject tend to focus on philological reconstructions. The contributors shift attention to the interpretation of texts, authors, and reading communities by examining how Dante commentators developed interpretative paradigms that contributed to the advancement of literary criticism and the creation of the Western literary canon. Dante commentaries illustrate the evolution of notions of “literariness” and literature, genre and style, intertextuality and influence, literary histories, traditions and canons, authorship and readerships, paratexts and textual materiality. The volume includes methodological essays exploring theoretical aspects of the tradition, such as the creation of a taxonomy for categorizing typologies of commentaries; the relationship between commentators and their contemporary readers; the interplay between written and visual commentaries; and the impact of patronage on the forms of exegesis. Other essays, including two in Italian, examine case studies of individual commentaries, giving an account of the modus operandi of Dante’s exegetes by relating their approaches to the cultural, ideological, and political agendas of the community of readers and scholars to which the commentators belonged.

Contributors: Lucia Battaglia Ricci, Saverio Bellomo, Steven Botterill, Corrado Calenda, Massimiliano Chiamenti, Massimiliano Corrado, Simon Gilson, John Lindon, Andrea Mazzucchi, Paola Nasti, Spencer Pearce, Lino Pertile, Claudia Rossignoli, Claudia Tardelli, and Robert Wilson.

“Interpreting Dante is an extremely valuable and timely contribution to scholarship on the Dante commentary tradition. Such a collection, devoted both to methodological problems and to single cases, is a novelty. Additionally, as the first comprehensive volume on the topic in English, it will serve as an invaluable resource for students and scholars." — Anna Pegoretti, University of Warwick

“Just as the University of Notre Dame has become the central point in American Dante studies, its press is now recognized as the most vital current source of publications dealing with the Florentine poet. These fifteen essays, composed by Italian, American, and British scholars, gather to form an essential companion to such collections of the early commentaries as that found in the Dartmouth Dante Project.” — Robert Hollander, Princeton University (emeritus)

“Interpreting Dante presents a genuinely top-notch collection of essays written by some of the most innovative and influential scholars in the field, on both sides of the Atlantic. A joy to read, from beginning to end, this volume will make a lasting impact on the study of Dante’s reception." — Michael Papio, University of Massachusetts Amherst

ISBN: 978-0-268-03609-6
520 pages
Publication Year: 2013

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Paola Nasti is senior lecturer in Italian Studies at the University of Reading.

Claudia Rossignoli is lecturer in Italian at the University of St. Andrews.

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P03117

Imitatio Christi

The Poetics of Piety in Early Modern England

Nandra Perry
P03048

Savoring Power, Consuming the Times

The Metaphors of Food in Medieval and Renaissance Italian Literature

Pina Palma
P03047

Recursive Origins

Writing at the Transition to Modernity

William Kuskin

Interpreting Dante

Essays on the Traditions of Dante Commentary

Edited by Paola Nasti and Claudia Rossignoli

 Interpreting Dante: Essays on the Traditions of Dante Commentary
Paper Edition

In Interpreting Dante: Essays on the Traditions of Dante Commentary, Paola Nasti and Claudia Rossignoli gather essays by prominent scholars of the Dante commentary tradition to discuss the significance of this tradition for the study of the Comedy, its broad impact on the history of ideas, and its contribution to the development of literary criticism.

Interest in the Dante commentary tradition has grown considerably in recent years, but projects on this subject tend to focus on philological reconstructions. The contributors shift attention to the interpretation of texts, authors, and reading communities by examining how Dante commentators developed interpretative paradigms that contributed to the advancement of literary criticism and the creation of the Western literary canon. Dante commentaries illustrate the evolution of notions of “literariness” and literature, genre and style, intertextuality and influence, literary histories, traditions and canons, authorship and readerships, paratexts and textual materiality. The volume includes methodological essays exploring theoretical aspects of the tradition, such as the creation of a taxonomy for categorizing typologies of commentaries; the relationship between commentators and their contemporary readers; the interplay between written and visual commentaries; and the impact of patronage on the forms of exegesis. Other essays, including two in Italian, examine case studies of individual commentaries, giving an account of the modus operandi of Dante’s exegetes by relating their approaches to the cultural, ideological, and political agendas of the community of readers and scholars to which the commentators belonged.

Contributors: Lucia Battaglia Ricci, Saverio Bellomo, Steven Botterill, Corrado Calenda, Massimiliano Chiamenti, Massimiliano Corrado, Simon Gilson, John Lindon, Andrea Mazzucchi, Paola Nasti, Spencer Pearce, Lino Pertile, Claudia Rossignoli, Claudia Tardelli, and Robert Wilson.

“Interpreting Dante is an extremely valuable and timely contribution to scholarship on the Dante commentary tradition. Such a collection, devoted both to methodological problems and to single cases, is a novelty. Additionally, as the first comprehensive volume on the topic in English, it will serve as an invaluable resource for students and scholars." — Anna Pegoretti, University of Warwick

“Just as the University of Notre Dame has become the central point in American Dante studies, its press is now recognized as the most vital current source of publications dealing with the Florentine poet. These fifteen essays, composed by Italian, American, and British scholars, gather to form an essential companion to such collections of the early commentaries as that found in the Dartmouth Dante Project.” — Robert Hollander, Princeton University (emeritus)

“Interpreting Dante presents a genuinely top-notch collection of essays written by some of the most innovative and influential scholars in the field, on both sides of the Atlantic. A joy to read, from beginning to end, this volume will make a lasting impact on the study of Dante’s reception." — Michael Papio, University of Massachusetts Amherst

ISBN: 978-0-268-03609-6

520 pages

The William and Katherine Devers Series in Dante and Medieval Italian Literature