“In this exploration of the intersection of the late medieval literature and theology, Aers continues a discussion he most recently undertook in Sanctifying Signs: Making Christian Tradition in Late Medieval England. The book’s five chapters focus on the themes of sin and conversion in selected theologians and in Piers Plowman. … Aers takes frequent, fruitful digressions into theology and effectively demolishes any monolithic view of late medieval religious thought.” —Choice
“This study stands strong as a personal, interesting, detailed and highly scholarly reading of fourteenth-century theologians conversing with Augustine (directly and through Aers’ role as a moderator in the debate), its invitation to read the original texts and to read texts completely before judging them, and in its invitation to its readers, primarily noticeable in its polemical tone and in its open-endedness . . . to enter the conversation in their turn.” —Review of English Studies
“In its five thick, substantial chapters, one of the most theologically astute medievalists of this generation offers a commanding, even authoritative conspectus on late medieval theology in the English context. Aers’s important and engaging book is amply and meticulously supported with textual references, astute annotations, good bibliography, and a useful index.” —Modern Theology
“This is a highly specialized and also a highly personal book. David Aers . . . investigates the difficult and hotly debated aspects of sin, divine grace and salvation with special reference to Piers Plowman and Julian of Norwich. In his discussion, he offers a wide panorama of theological commentaries, ranging from Augustine to Karl Barth (and beyond).” —The Medieval Review
“It is impossible in a short review to do justice to the details of Aers’s arguments, the rigor of his analysis, and the passion of his convictions. His brilliant reading of Augustine is profound, subtle, and often highly moving. . . . His Augustinian understanding of salvation and sin offers a great deal of fresh insight to the major writers whose work he studies as though the fate of our very souls depends on getting the theology right.” —Journal of English and German Philology
“In this provocative work, David Aers reassesses the traditional understanding of Augustine’s post-Pelagian soteriology and then employs this evaluation to discern the degrees of Augustinian convergence or divergence by the fourteenth-century English writers William of Ockham, Thomas Bradwardine, William Langland, and Julian of Norwich. This book is laudable for its fresh attention to the essential role Christology plays in the late Augustine doctrine of grace and anti-Pelagian polemics. Equally praiseworthy are its penetrating analyses of Bradwardine, Julian, and especially Langland regarding their distinct vocabularies and grammar of sin, agency, and conversion.” —Sixteenth Century Journal
“David Aers’s new book offers a ‘Prelude’ on Augustine’s theology of agency, grace, and sin, and chapters on Ockham and Bradwardine, the Samaritan Passus in Piers Plowman, and Julian of Norwich, concentrating on her idea of the ‘beastly’ and the ’godly’ will in man. Aers brings out expertly the Augustinian dynamics of conversion, mediated by persons and processes, with its Christ-centered sense of salvation in and through a community, which is set against the self-loving secular city, and of sin, especially sin grown habituated and systemic, that has a destructive impact on community and individual.” —Medium Aevum
“Like every one of its predecessors for thirty years and more, this is an important book. It is hard to exaggerate how gripping Aers’s writing can be or how precisely grounded and inexorable his conclusions can seem. Here is an exegete worthy of his grand theme, who writes only of matters that passionately concern him, for whom late-medieval religious thought still deserves the respect of deep analysis and critique, and whose ethical and critical intelligence are a constant challenge to fellow practitioners.” —Speculum
“In Salvation and Sin, David Aers examines with uncompromising clarity and depth the subject that inspires two of the greatest pieces of extant Middle English literature: Piers Plowman and the Showings of Julian of Norwich. His approach is to examine first selected writings of Augustine whom scholars quote as the foundation of medieval religious thought, then two fourteenth-century theologians, Ockham and Bradwardine, before embarking on the two literary works.” —Parergon
“Aers offers an intensely focused study of the use of medieval theology in vernacular writing. He passionately approaches each of his subjects, particularly Augustine and Langland, through a nuanced and sophisticated analysis of a number of important theologians and vernacular literary texts and in the process suggests their ongoing relevance to medieval studies. Aers’s book is an important addition to both literary and theological study, and his call to take up primary sources with renewed interest is an invaluable one that highlights the importance of theological debates to the understanding of fourteenth-century vernacular culture.” —Journal of British Studies
