“In 1971, at the age of sixty-six, the labour activist, educator and scholar Ernesto Galarza (1905-1984) published Barrio Boy, a memoir of the long migration of his family from a small village in the Sierra Madre to California. Barrio Boy immediately became a classic of Chicano literature, and on its fortieth anniversary has now been published in a new edition with an introduction by the critic, biographer and short-story writer Ilan Stavans.”—TLS
“Galarza’s book is about growing up—first in Mexico, then in America. To this reader, it is on the same artistic level as Black Boy or Call It Sleep or even Huckleberry Finn. . . . As with Wright and Roth and Twain, we are given a near-perfect tale of rising from absolute poverty to middle-class security, but instead of a woeful recounting, it is filled with the joy of discovery: from living in the lively muddy streets of a small village in Nayarit to surviving, wide-eyed, in the lively and noisy barrios of Sacramento.” —RALPH: The Review of Arts, Literature, Philosophy and the Humanities
“The 40th anniversary edition of Galarza’s book, now a standard text in high school and college classrooms, has become so popular that it has . . . achieved the dubious honor of being the subject of study guides and essays available for purchase online.” —Occidental College
“A useful introduction by Ilan Stavans and Galarza’s original preface accompanies this fortieth-anniversary edition of Barrio Boy. The book is well known within Chicano literary scholarship. It belongs to the genre of autobiography, certainly an empirical genre, a form of personal history, but also a self-portrait, a story that may serve as an example for readers.” —Journal of American Ethnic History
"Galarza’s classic speaks louder now than when I read it as an undergrad in 1970 during the early formation of Chicano Studies at UCLA. The novel’s triple metaphors of the rooster versus the vulture, the boy versus the bull and the village versus the city braid into a whip of power in bold relief—colonization, displacement and exploitation. The painful transitions from the familiar to the strange and from the harmonies of the village to the existential vacuums of the metropolis are given to us to re-consider and behold—brutal forces that may have gained momentum in our millennium. Yet, there is fragile beauty, inescapable synthesis, and leadership burning out of a new voice shifting between home and homeland. You must take this book and treasure it, walk with it, converse with it and carry its most human story in your heart—so you will live and act fully. A cultural classic yesterday, a riveting, fiery illumination today." —Juan Felipe Herrera, University of California, Riverside
"To re-encounter Barrio Boy by Ernesto Galarza is to indulge in deja vu from the early Chicano Movement concerns about acculturation and identity construction. The genuine story about a boy's journey reminds many of us of our own trajectory and how we had to negotiate a new ethnic self. The lessons are moving and heart-warming as markers of a collective perseverance and survival. The story embodies a key phase of immigration when the barrio becomes our first community to embrace or overcome. After all is said and done, the 'barrio boy' stays true to himself as an apprentice to Americanism without sacrificing his origins. He proves that being bicultural and bilingual are positive qualities worthy of upholding." —Francisco A. Lomeli, University of California, Santa Barbara
