Sounding the Word of God
Carolingian Books for Singers
490 pages, 7.00 x 10.00 , 43 color illustrations, 24 music examples, 16 tables
Hardcover | 9780268203436 | November 2022
eBook (Web PDF) | 9780268203450 | November 2022
eBook (EPUB) | 9780268203429 | November 2022
Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance.
During the late eighth and ninth centuries, dramatic changes in the way European medieval scribes made books for singers took place, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing—discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture.
The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin’s analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period.
Susan Rankin is professor of medieval music at the University of Cambridge and a professorial fellow at Emmanuel College, Cambridge. She is the author and co-editor of a number of books, including Writing Sounds in Carolingian Europe: The Invention of Musical Notation.
“Susan Rankin has for decades reflected on the relations between the visible signs on the page and musical sound. This book boldly steps in a new direction in several fields of study: paleography, history of the book, history of liturgy, music history, art history, and the broad history of the eighth and ninth centuries.” —Calvin Bower, translator of Fundamentals of Music